Teresa Hernández

19 March 2026 – 19 May 2026

Teresa Hernández is a transdisciplinary Puerto Rican artist (performance-theatre-dance-video) whose work emerges from and refers to the thinking body in continuous motion. She has more than thirty years of experience as a creator-researcher, producer, and director, during which time she has presented—in the Puerto Rican archipelago and abroad—more than fifty pieces, interventions, and actions.

As Producciones Teresa, no inc., she has developed a solo practice challenging the art market through the work of an unincorporated, independent and small art form. Her site-specific performances have been part of exhibitions outside her country. Her work is nourished and determined by the adverse, the uncertain and the circumstantial, addressing in various ways the colonial condition of her country and region, the patriarchal and capitalist footprint, ecological deterioration and the transformative resistance of nature. Her performative writing has been published in various local and international publications. She also has extensive experience as an educator for heterogeneous sociocultural spaces. Her work has been recognised by: Sally Van Lier Foundation (1993); Institute of Puerto Rican Culture (1994, 2020); USA Foundation (Rolón Fellow 2011); Art Matters Foundation (2018), Beta Local (2017-2020), PRAI (2020-2022;2026) and Beca Letras Boricuas (2025).

Funded by the European Union. The opinions and views expressed are those of the author(s) alone and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the EACEA can be held responsible for them.

Project in residence

Las bravatas trasatlánticas

In this residency, Las bravatas trasatlánticas, the artist proposes to work from her performative research platform Bravatas: salt, sargassum and fatigue, which she began in 2018 in the context of the Puerto Rican archipelago. In it, she has been linking life on the coast, storm surges (bravatas), collapses and erosion (coastal, historical, socio-political, institutional and bodily), environmental debacle, tourist exploitation and historical-colonial survival. The word-concept bravatas, which also implies warning, threat, and challenge, serves as a compass for observing and reinterpreting the ravages of neoliberal policies in relation to the environment and the territory.

Among her interests is bringing these issues to the context of life on the Cantabrian coast and, together with simple, formal questions from her artistic transdisciplinarity, beginning her research. She intends to carry out several activities in the LABoral community where she will present some of the aesthetic products she has developed on the platform to open channels of dialogue. Conversation as a methodology, walking, inhabiting, losing myself on the coast, the link with artists and workers involved in ecology, in life that is dying out and surviving, are the foundations for triggering performative-visual research.

The resource of documentation will also serve as aesthetic material in itself.