Live music screening session within the framework of the LABoral Market.

History has misunderstood the relationship between image and sound. Cinema was never silent. The moving images, from the beginning, were accompanied by orchestras or pianos that provided sound to the comings and goings of actors and places on the screen.

Shadows in high fidelityrecovers this first experience through live music put in relation to fragments of what we know today as experimental cinema and which, in truth, is nothing more than the attempt to play with shapes and colors, still from the amazement that originally produced the cinematograph: a machine that is capable of giving shape to reality.

Music performed by: Pier Stefano Bruera (percussion), Óscar Camacho (piano), Luis García García (clarinet), Jorge López (clarinet), José Miguel Merenciano (bassoon and electric) and Enrique Prieto Rodríguez,

The projections consist of fragments of the following audiovisual pieces: Jeu des reflets et de la vitesse, 1923, Henry Chomette; A Color Box, 1935 and Kaleidoscope,1935, Len Lye and Pacific 231,1949, Jean Mitry.

Activity subsidized by the Ministry of Culture and Sports of the Government of the Principality of Asturias