Audio/video installation: video stream, software, algorithmic music composition.

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A parody of the excesses of automation and hyperproduction in the Capitalocene era.

This triptych depicts the production of cars, from manufacturing to autonomous driving. Machines carry out their activity indefinitely, like futuristic ghosts in free entropy.

This space invites us to reflect on our relationship with production, consumption, destruction and desire.

The experience is supported by an algorithmic music composition. Infinite, it emphasises the idea of a perpetual, automated cycle with no beginning and no end.

Original soundtrack : Le Motel

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Artwork included in the exhibition “La Sociedad Automática”.