It is difficult to date the beginning of A·L·M·A as a musical proposal. Pedro Pablo Bazán (Gijón, 1978), hidden under an enigmatic name-acronym, began to devise his own musical commitment that would represent a shock in the current musical panorama, while attempting to advance a step in the musical field.

From there came ‘Invierno Totalitario’, an album of 8 tracks released by ‘Grabaciones Perdidas’ in 2019.

For live performances, he has on stage Raúl T. Andrés (Gijón, 1976), composer and producer of electronic music who has participated or participates in different individual projects: ‘The IT Boy’ and collectives, including ‘Lego My Ego’ or ‘We are robots’ and has performed in different spaces such as the L.E.V. or the ‘Silver Bullet’.

In the words of writer and editor Servando Rocha:

..It is very complicated to sound like (almost) nothing recognizable, a kind of ignition zero point. A·L·M·A have done the same thing, camouflaged behind a project that can boast of having emerged with unprecedented strength.

The musical pieces seem designed as if they were manifestos of rage towards alienation, but with a type of everyday and, therefore, constant domination and control.