(Cartagena, 1977)

Raquel Meyers is a visual artist who works with a radical and creative critical approach to technology. Its expanded typing language is built with forgotten machines like teletext, the Commodore 64 or the fax machine. Her multidisciplinary work, which takes the form of animations, performances or installations, writing and research, has been shown in art centers and new media festivals throughout Europe as well as in the United States, Mexico and Canada.