Due to technological development and the democratisation of images, our society has become accustomed to representing reality, even more than to experiencing reality itself. All of this, together with the birth of the internet and the growth of social networks, means that contemporary society relates to each other through the consumption of images. The spectacle in this case is transferred to the way reality is represented through a deformation of it. ‘The decline of being into having, and of having into simply appearing’.

Through the deformation and analogue animation of super 8mm home movies that she has collected over the years and using a subsequent montage, the reflection and experimentation is based mainly on the process of the dis-identification of the self. The artist aims to immerse the viewer in an objective reflection that positions him or her within the concept of the active spectator.