Coreografías Bastardas is an interactive choreographic installation that investigates the ways in which undisciplined bodies destabilize normative control systems. Through the use of contact microphones that capture the sound of the body and movement, as well as video as a live medium, played from mobile devices attached to the body (tablets, smartphones, small monitors), a bastard ecosystem is created where the human, the mechanical, and the animal coexist. The installation is designed to be activated by both performers and visitors, generating a choreography that is transformed by the presence and bodily emissions of those who inhabit it.

It has these key objectives:

• To investigate the choreographic possibilities of bodily sound (breathing, friction, vibration, contact, etc.).
• To create a technological environment that transcends normative modes of bodily perception.
• To activate a participatory device where the viewer becomes part of the system.
• To develop a working methodology that combines technology, critical thinking, and scenic experimentation.

This project is a continuation of Ejercicios Sobre la Belleza (ESB), a research project on bodies that do not conform to the logic of efficiency, productivity, or visibility. Inspired by thinkers such as Donna Haraway, Rosi Braidotti, Karen Barad, and McKenzie Wark, the project proposes a crossover between art, science, and technology from a transfeminist and posthumanist perspective. Choreography is no longer a sequence of predefined movements, but an unstable system where the body’s sound emission, presence, vibration, and visual opacity become compositional elements. The project seeks to produce sensitive knowledge from opacity, excess, slowness, and overflow.