Kubrick, 2012
Video, 14'
If any film experience belongs from beginning to end to the spectrality as Derrida wrote in his essay about cinema, in Kubrick the relationship between cinema and ghostliness becomes explicitly patent.
Thanks to a performing spell the projected light frees the images of their spectral territory, of what’s neither dead nor alive, and in doing so it gives them life or, what’s the same, giving them death.