Greedy Bastard, 2005

The project came about when prompted to build something exploring the abilities of Rapid Prototyping technology, in principle a 3D printer that reads CAD files and lays down successive layers of liquid or powder, and in this way builds up the model from a series of cross sections. The advantage is that you can create complex structures that cannot be replicated in any other industrial process. The Greedy Bastard exploits this fully through a set of hollow internal passages and cavities restricted in its “path” only by its outer shell. The actual object is a character that is to be played as a 3D maze. You feed him small ball bearings only to then safely navigate them through his body, avoiding pitfall cavities and wrong turns in the duodenum only to “exit” at the other end. The character is accompanied by a little cartoon to create a story around him.

www.oscarnarud.com

Nowhere/Now/Here
9
Oct
2008
27
Apr
2009

Investigating new lines of enquiry in contemporary design

Latest News
LABoral’s Design Market celebrates a new edition next weekend LABoral’s Design Market celebrates a new edition next weekend

The Art Center will host workshops for children on art and design and Sombras en alta fidelidad, a ...

The Taiwanese artist Ya-Wen Fu presents her installation-performance Space-in-between The Taiwanese artist Ya-Wen Fu presents her installation-performance Space-in-between

The result of a two-month production residence at the Centro de Arte y Creación Industrial, her ...

Benjamin Weil leaves the Activities Directorship of LABoral to join Centro Botín as Artistic Director Benjamin Weil leaves the Activities Directorship of LABoral to join Centro Botín as Artistic Director

Weil, who will continue at the Centro de Arte y Creación Industrial in Gijón until the end of the ...

more ...
    Logo LABoral
  • Information

  • Los Prados, 121
  • 33203 Gijón (Asturias)
  • Spain
  • Phone: +34 985 185 577
  • Contact
Personal tools
Log in